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I live in Brooklyn, NY and I love it here.  I came here for my career in 2009 and haven't once looked back. 

Sunday, June 7, 2015

Success...

Tangible success.  Finally, I can say it. I have a full time position at CNN now.



It's been six years since I first freelanced at CNN and at times it didn't look like it would turn into anything.  At other times, I seemed painfully close to getting the other foot in the door.  Through a turn of events some time last fall, I found myself in a position where I could really help out the department by just being available at a time of transition and it served to put me in the right place at the right time.  Not long after, a position opened up and I applied but there was another applicant who had the experience my new boss there was looking for.  The department had shrunk and we were being tasked with coming up with new procedures for media management and this new guy who got the position I had applied for had plenty of relevant post production experience.  My boss told me all this, saying it was a tough decision but he wanted me to stick around so he gave me a big fat raise and assured me that there'd be something else he'd need me for soon.  Sure enough, another person in that department got promoted a week later and her position opened up.  There was a month of waiting and hearing rumors that I was going to get the position until finally one day I received a call from my boss offering me the position.

Soon after, once we had solidified a start date, I put in my notice at NY1.  I gotta tell you, NY1 really knows how to give a send off.  There are a series of traditions whenever someone leaves NY1 on a good note.  First, a glowing email from your boss about your departure, detailing your accomplishments etc.  Then, your coworkers plan a going away party at a local bar and on your last day they get you cake in the conference room and you give a speech.  Somewhere along the line you send out your own goodbye email.  And by the end of it all, you're usually overcome with emotion.

They got me a nice gluten free cake from Tu Lu's bakery in the East Village:


My boss wrote a poem for me (which I still need him to send me) and I did a Letterman style Top 10 List in honor of David Letterman's last show the week before (Top 10 Things I Will Miss About NY1).  That Friday we all went to The Crooked Knife on 14th Street in Chelsea and toasted my time with the company.

So, it was a great send off and I left it all feeling supremely blessed to have worked with such a great group of people for so long.  And it was such a surreal feeling, too, the last time I swiped my ID badge through the card reader to punch my last out time.  I stopped after that swipe and said out loud to my friends that were standing there, "huh, I don't work here anymore," as I let that fact just wash over me. Walking toward the elevator, it really started to set in that I was leaving.  And the excitement of what lay ahead was immense.

Now, I'm a good two weeks into working at CNN full time and have gotten fully settled into the new routine, 9-5 hours, Monday through Friday, and with a view of Central Park out my window.  The guys I work with are hilarious and everyone has been super nice.  I've even run into a few old NY1 people who moved on to CNN years ago.

What's totally awesome though, is that in my first week, I had the good idea to get back in touch with the producer for one of the shows who had asked me to help him with voice overs a few months ago.  I told him about my recent move to full time status and that I'd be around the building every day now if he ever needed help.  Monday morning of the second week I worked there, he emailed me about reading a few scripts for Nancy Grace's show.  So I went into the audio tracking booth and banged it out really quickly and sent it down to him.  One revision, a little more intense and frenetic, and my segments were added to the show.  Two days later, a new script.  Not sure if this one made the show or not but he did cut a version of it so that I could have it for my reel.

So I'm just completely floored by that and then I get an email from one of Ann Wright's assistants, one of the agents that I've been chasing down and who sent me on an audition a few months back.  She wanted to have a meeting with me. That day. My voice coach told me these meetings are usually just about personality and them getting to know me and just to be myself and relax.  And it was.  It was a short meeting and I was thrown off slightly by her asking me for a hard copy of my demo (even though I had already emailed it to her) which I didn't have with me.  But all in all I felt good about it. So here's hoping I'll get sent on some more auditions soon.

That was one hell of a week last week.  And there's more to come.  I'm meeting all kinds of people at CNN that are connected in various ways to the things I want to do and I'm always meeting new musicians out and about.  It's still to early to be able to tell what kind of an effect these people will have on my career but I have never felt so on track.  It helps in that I feel at ease that I'm pointed in the right direction and now I can finally relax on the weekends for a change.   Relax on the weekends and do things like this.

Top 10 things I will miss about working at NY1:

10. Breaking News (Just kidding they have that at CNN, too...they even stay on it much longer).

9. Getting put up in the Dream hotel during storm coverage, even without electricity or hot water.

8. Holidays when they order food, especially if it's Dino BBQ.

7. The quality of sleep you get after an overnight shift.

6. Scaring tourists off the elevator.

5. Being called "The Voice." 

4. The assignment desk, producer's pod, politics and the control room all calling to ask, "are you rolling on the president?!" 

3. Mis amigos en NY1 Noticias que me ayudan a aprender español 

2. Breakdancing at the NY1 Christmas party (also, the NY1 Christmas party)

1. All of you crazy people.  

Thursday, April 23, 2015

Climbs, volcanoes and other trials...



The sneakers I've barely worn since Nicaragua still have black sand in them from the volcano.  I'm wearing them again as the weather starts to warm up consistently. The other day, as I kicked them off, a pile of the stuff spilled out onto my bedroom floor.  Days later, though I pounded them together upside down, I still feel the grit under my toes, reminding me of this:



Yes, I climbed to the top of that thing.  That being the Concepcion volcano on the Isla de Ometepe, a central destination of my late February trip to Nicaragua.  The one I had heard was a 10 hour hike. Part of my initial aversion to hiking it in the first place and the reason I had chosen, months earlier, to hike Maderas instead. The smaller, extinct volcano on the island's south side, was advertised as an 8 hour hike, which I'd heard people testify to scaling in a mere 5 hours.  But whatever, when I arrived on Ometepe, I was almost content to nix the idea of any volcano hike and just sit and enjoy this:



...instead of trying to cram in more activities in the short amount of time I had there. Not so much that my three day romp around Granada and the surrounding environs had taken it out of me.  No, it was just that beautiful there at Finca San Juan de la Isla that I thought, after all the hard work I'd done to afford the trip, I ought to just take it easy and enjoy the rum and the fried plantains with cheese and the sound of the lake and the birds and the hammocks and all the beautiful people I met there, most of them Canadians, some of them local hotel staff who were immensely kind and very open to helping me with my Spanish.  Also, cost was a factor. I was either going to have to find people to go in on hiring the guide, pay him the full amount myself, or go through an unappealing ordeal of phone calls and emails and attempts at Spanish to set up a tour with one of the many other options open to me.  I opted to just wait it out and see.

I met a couple from Edmonton, Canada and another from Toronto, my first full day there.  The Edmonton couple were recounting the story of their attempt at Concepcion the previous day, a feat they told us took them only 7 hours. The Toronto couple listened intently as they were planning on doing it themselves the following day.  I asked if I could join, figuring this was the sign I needed to make my decision.  The path of least resistance. They had already booked the guide and they were happy to let me join them. And I'm so glad I did. 7 hours seemed much more reasonable.

Why did I wait all this time to recount my tale? I don't know, part of me wanted to wait to blog again until I had some good news to share on the music and voice over fronts and even about my various day jobs; all the things that have been brewing there. I do, as a matter of fact, finally.  But in the meantime, life just got away from me and I didn't want to just type up a blow by blow of the whole trip. I had journaled it elsewhere for my own purposes, after all.  But also, I had to think through what it all means to me in terms of what happened to me on that mountain.

Guys, this was the hardest hike I'd ever experienced but I felt so damned alive at the end of it, like I could physically do anything and perhaps mentally do anything as well. Anything at all. Volcan Concepcion is 5,280 feet tall and perfectly cone shaped, making the hike relentlessly steep.  Hiking to the rim of the open and active crater took us a solid four and a half hours and the descent took another 3 hours.


The terrain was ever changing and kept our interest, with stunning views and exotic plant life, but the climb was brutal and taking a toll on us after only an hour, my calves burning with the exertion of continuous ascent.




My new friends and I brought liters upon liters of water that we carried with us, along with lunch that the hotel had packed (unfortunately, the only gluten free foods they could give me were plantain chips, some of their homemade cheese and a few oranges, pre peeled, of course).  We took frequent breaks but always kept going, determined not to stop or slow down for too long.  Although at times, individually, I'm sure we all felt like turning around. Something in me, personally, said no every time the thought came up.  I felt as though climbing this mountain symbolized something for me.  I had to keep going.  Maybe just to prove something to myself.  Maybe because I had set out on some mission and wanted to see it through to the end. Being able to conquer something despite ridiculous odds, to keep going when others would have stopped (another group that was supposed to have set out with us, was delayed and, upon our descent we learned they had quit after just an hour...no one else was on that mountain except us).

We passed through fields of plantain trees and rock strewn pits, and as the mountain steepened, we entered a dry forest with a sandy path that our feet slid into, making each step that much harder.  Everywhere was a chance to turn your ankle or slip. Every other tree branch we tried to grab onto for support had thorns protruding. Rocks were always loose, so part of what set our pace was having to be so sure of our footing each time we took a step. At some point along the way, the danger of what we were doing slowly became clear to us.

We left all the stunning vistas behind as we entered a white cloud and the wind began to blow relentlessly.



We were now in a cloud forest of mostly low shrubs, plants with giant leaves and more and more rocks to slip on.



Coming up out of that we entered a new terrain, unlike anything we had seen before.  Plant life had all but disappeared and all of us, except our guide, had to crawl up on all fours.



This was where I fell behind a little and had to keep talking to myself, telling myself I had to keep going. After all, regardless of whether I made it to the top, I still had to go all the way back down.  This realization was the most harrowing thing after everything we had gone through, knowing that, even after we reached the summit there was still a long road before we could finally rest. In a way, though, it helped knowing that no matter what we decided, we still had a long way ahead of us.  It would have been barely any relief to stop and go down at that point because the ordeal of descending such a steep slope was just as difficult, and ascending the 500 odd feet that we had left to climb would not have added all that much to our troubles. Only actually reaching the top could have lifted our spirits enough to power us for the rest of the hike, though.  That and lunch.  But only after we had reached the top, we agreed.

It was during this last stretch that I felt that something come over me again.  Something that told me to just go despite how hard it was.  I could feel my companions' spirits breaking a little.  I felt like each step was harder than the one before. I would get in five or six and then have to pause.

At one point our guide shouted down to us to get out of the way because there were rocks tumbling down.  Adrenaline pumping, not knowing, at first, exactly why he had told us to get out of the way, we scrambled sideways along the rocks as quickly as we could.  Someone who had hiked up on their own before us, had loosed a few rocks and sent them down in our direction unintentionally.  Seeing this bloke from California walking upright down the mountain past us like it was nothing was the last straw (you can see him in the shadows just out of sight in the above pic of my two Toronto friends).  I could smell the sulfur gas from the crater by now.  Knowing we were so close to the top I powered through, one last burst of climbing, grabbing at rocks and propelling myself upward, quicker than my body could signal the pain in my muscles. Behind me, Kelsey was saying she was done and ready to go down.  The wind was blowing her around so that she couldn't straighten up for a second without getting knocked over.  Just then I looked up and saw our guide perched on the edge of the crater.  I lifted myself into place right next to him and peered into the crater.


"No, c'mon! We're here.  It's right here, you can make it!" I shouted down to my companions.  I practically begged Kelsey and Ryan to come peer in the crater with me.  300 meters deep and 3 acres around at the bottom, and all of it obscured by sulfuric gas and clouds. She took one look and declared, "Nope!"


We all collapsed for this photo and agreed after a few moments of basking in our victory, that we should climb down out of the wind and eat our lunch before heading back down.  Without any shred of visibility there wasn't much in the way of views to take in.  I watched some YouTube videos of other people's hikes when I returned home, though, and concluded that, had we hiked up on a clear day, it would have been absolutely terrifying but exalting and gorgeous nonetheless. Here's my panorama when we came out of the cloud.  Close enough:


But what did I learn about myself from this climb? For one thing, that I'm strong and I can show determination and accomplish something big if I have my mind set on it.  Something I'm doing on a daily basis here in NYC but that I tend to forget. The other thing it taught me is to just keep going.  The last few months have been harrowing in their own way.  No stunning vistas, no payoffs, just waiting and waiting for one or more things that are up in the air, to show me some kind of sign I'm on the right track.  It's hard, even though you know you've done things and set other things in motion, to just wait for them to give you some sort of feedback.  It's hard to not always feel like I could be doing more. But then, that one thing happens that may or may not be a true accomplishment but that tells you that, yes, you're doing fine, you're on the right track, keep going.

It happened a few weeks ago.  An agent with whom I had spoken over a year ago, who had told me that I sounded as though I had some regionalisms in my voice, called me to tell me she liked the new demo I sent her and wanted to send me out on an audition for a job she thought I'd be good for.  Yes, an agent liked my demo.  So I went out there feeling pretty damn good, knowing that, even if I didn't get the job, it was still quite an accomplishment and felt like a nice step up to a new plateau.  The next day, another agent that I'd met at my voice coach's salon emailed me to say she loved my demo (exclamation point) but that she couldn't accommodate me as they keep a very short list and there isn't currently a space for me. There are still more steps to take up onto even higher plateaus but just to know that I have things ahead of me is exciting.

"The Life" finally had its premier screening a few weeks ago too and everyone in the cast and crew showed. It was amazing to see how many people were involved in bringing that thing to fruition and how many cared enough to come out for the screening.  Some of them hadn't even seen the whole thing yet so we got to see some candid reactions to the finished product which made it all the more worthwhile. Great things are ahead for this project, almost none of which I can speak on definitively and it's likely to be like this for a while but suffice it to say that I'm happy with the progression.

And I even had an opportunity to help out with the music on a web series called Redheads Anonymous that is getting all kinds of attention lately.  I played some guitar and bass parts on a song for the second episode which you can watch here. Huffington Post did an article on it and episode 2 even won Indie Series Network's Web Series of the Week award.  It's going to be a great affiliation, and they may yet call me for more music.

At any rate, I'm still feeling pretty good about this year so far. And if any of you are interested in seeing the rest of the pics from the trip to Nicaragua, I've posted them here.

Friday, February 20, 2015

Volcanoes and monkeys and a quick update...

The East River has ice floating in it and it's 2 degrees F, with a wind chill of -15.



I think it's time to get out of town.  They're threatening snow/ice/rain whatever in the forecast on Sunday when I'm supposed to fly so I'm a tiny bit nervous.  I don't think anything will get cancelled. Worst case scenario, I'm delayed and I miss my connecting flight and the airline puts me on the next flight and I just have to call my hotel and have them send the cab driver a little later in the afternoon and maybe it's a tiny bit later when I finally touch down at my hotel in Granada, where it's likely going to be somewhere in the neighborhood of 90 degrees F.

It's going to be fine. I'm so excited about this trip, as long as I can get there some time on Sunday I'll be happy.  This is the first time I've done anything like this.  Completely solo (as in, traveling solo, not meeting anyone when I get there, no one dictating what I do or when), very little Spanish under my belt (just enough to get by), everything planned to a T.   I'm going to have a blast.  I'm hiking volcanoes and learning to surf and exploring ancient petroglyphs and visiting coffee plantations.   And hammocks.  Lots of hammock time.  Maybe a massage...of course a massage!  Horses. Sea Turtles.  I'm going to see some freaking monkeys if it kills me.

So, yeah, despite all that excitement, I admit. There is a little nervousness.  But it's abating for the most part.  I mean, I've prepared for a lot here.  I even bought Skype credits in case I have to call someone while I'm there (I'm trying not to use minutes there at all because Verizon charges $2.89 a minute in Nicaragua while Skype is only 23.5 cents).  If I'm worried about my Spanish not being sufficient, a lot of people will speak English (hotel staff, ex-pats, etc.), I have Google translate, Duolingo, even a Learn Spanish in 7 days book saved in my Kindle app.  Puedo escribir en español right now if I really wanted to.

Before I run off to Nica land for a spell, though, I really wanted to drop in and update on what's been going on in the music/voice over/TV world.

The commercial I wrote music for?  It won that competition so now I'm going to get royalties when it starts airing on the web in UAE, Egypt, Lebanon, Kuwait and Saudi Arabia in March.  Awesome, right?

The new voice over demo is in the hands of one agent and one casting director so far.  The casting director I met at Marla's voice over class just the other night, an old school guy who likes to listen to all of his submissions on his car CD player (necessitating a scramble to find my old CD labels and a case I could put the disc in).  The agent is a co worker's agent over at Access talent (a place that was on my list of places to submit to anyway, so when he offered to pass my demo along, I said, "hell yes!") When I return I will submit to about ten more.

And lastly, I have an interview at CNN today for a full time position.  Please wish me luck.

For now, that is all.  I will most likely update again after I touch down in Nica.  Expect some video this time around.  I'm going to be peering into an active volcano in a few days. You're gonna wanna see that.

Tuesday, January 27, 2015

Happenings...

January's been a good month so far.  Filled with things.  Happenings.  Memories made. Events attended. Adventures had.  Sure, I've worked my ass off in the interest of saving for this trip of mine next month but the social gatherings and shenanigans in between have made it all worthwhile. Impromptu concerts, bar nights, a date here and there and always yoga. I tried a new gluten free beer at a meetup, made new friends there and at the yoga studio, hitting up regular classes.  I seem to wind up at Rockwood or Barbes on the regular still.

At home, I got talked into taking in not one but two kittens, mischievous balls of fur which are vastly changing my routine around the apartment (always closing my bedroom door and making sure not to leave anything breakable on the table). There's of course been some excitement with the career(s), a new demo, the chance at getting in front of some agents and casting directors and with the screening for "The Life" looming, I get called to do a commercial for the same director.

In the midst of working on the music for this commercial, we get slammed by a blizzard and I have to spend a night in the city at a hotel so I can make it to work two hours earlier than normal this morning, forcing me to take a slight hiatus from working on it.  But tomorrow I dive back in, hopefully having caught up on my sleep tonight.

I got a look at the first cut just now which was shot and edited this weekend.  I composed the initial idea this past weekend (landed on it after just two takes) after having only read the treatment.  A fun way to work, no doubt.  I like doing it this way sometimes.  I get to come up with some idea based on the raw emotions instead of immediately being preoccupied with making it fit some time constraint.  But now, my work is to extend the musical idea and work on creating an arc that aligns with the images I'm seeing in the video.

Really looking forward to this process.  The deadline is approaching.  For now, though, I'm going to head home and get that much needed sleep, without which I cannot function.

Monday, January 19, 2015

2015 things...

It's 2015 and I'm doing things.  I've got a really good feeling about this year.  I wanted to wait until a few more things seemed certain before popping my head up and checking in here.  But I feel like talking about at least this:



I finally got around to updating this with the new coach I've been working with.  Two of my old spots are on there and then four more that my coach wrote for me.  We managed to wipe out recording them in under an hour as well, which makes me happy because it's going to be cheaper than I had thought.  And the engineer at Gramercy Post turned it around super quick too so I managed to get it posted up online the next day.  All in all, I was pretty pleased with the process.  Now, Marla and I are going to sit down this week and talk about getting it out to some agents she knows.  So excited for that.

And on top of that, the pilot episode of "The Life" will be screened next month and meanwhile the director has hired me to write music for a light-hearted commercial he's been tasked with directing for a competition.  Some piano tune that I'm currently zeroing in on.  So, I've got music work and potential voice over work and something else on the horizon of which I won't speak just yet.  ;)

And then, in a few weeks, I'm going back to Nicaragua, on my own, for my first solo trip ever.  And by solo, I mean, I'm traveling there alone, staying there alone, exploring alone.  I've been boning up on what little Spanish I know, using an app called Duolingo, talking with my co workers who have been and have even set up meeting a co worker's friends on Ometepe.  I have all my hotels and cab rides booked (I will not be riding any public transportation in the country) and I've got plans to hike several volcanoes.  Pictures and video will ensue.  It's going to be an adventure.  A great adventure and I'm going to have lots of stories.  I cannot wait.

That's where I'll leave it for now.  Every year, I do the whole New Year's Resolution/Where was I last year post, but I feel like waiting on that just a little.  I have things I want to do this year differently than last year but whether or not I'll be able to sort of hinges on that thing that's on the horizon that I won't mention yet until it's certain.  Suffice it to say that I did a lot of things career-wise last year and the year before that worked and I'm going to keep doing them.  And all of that workout more, drink less stuff will be in there too.

I might even blog more but we'll see.

Saturday, December 6, 2014

Rainy day musings...

Nursing a hangover from last night's company holiday party while the rain pours down outside.  Getting going on days like this is hard enough.  But here I sit, at my kitchen table staring out the window at the cold rain and typing.  I even skipped my shift at the food co-op.  I'm off work and all that there is on the docket otherwise is a yoga class, picking up groceries maybe, cooking myself some dinner and hitting a friend's party in Bushwick later tonight.  I was thinking about writing a little music, or at least working with my setup or something musical.

I keep telling myself, though, that I should just take this day to do nothing and be useless for a change instead of getting swept up in this frantic need to get something done while I have time to fill (notice I didn't say "time to kill").  A break is in order, yes.  But only because I'm working so much at my day jobs lately.  Not even as some kind of reward for having accomplished something meaningful with voice over or music.  Despite having just seen the screening of "True Love," basking in the attention that the film garnered me, despite feeling more confident in voice over than I have in a long time.

Only when I feel like I've done enough, do I get to days like this and decide to take it easy and not even go to yoga.  But that is rare.  Normally I don't feel like I've done enough.  No, it's hard to feel like I'm doing enough for my career, ever.  And I don't know when you get past that.  Maybe it's even a good thing, it's certainly a motivator.  But then again, maybe it's a form of self-flagellation.  I did all these things.  I moved to New York, got a job, got another few jobs, scored some films, met some incredible people, got a great apartment, started a voice over career, got recognized for all these things, hell, I even made a little money at it.  But I'm still working three jobs to get by and there are all these other things I haven't done, am not doing, that I go from disappointed to straight up mad at myself for not having done.  Live performance of my own music tops out the list.  I have done it but, okay, like once.  So it's a little slow getting going.  I used to call it "rock-out envy" when I'd go see a band play and think, "damn. I should be doing that."  And then every time I'd see some modern concert music, I'd think, "why did I stop writing chamber music?"

But then I remember that a few years ago I started to realize that I can't do every damn thing.  It's cliché but time actually is money these days.  I had to choose what was most worth my time.  It was  one part "is there a monetary return significant enough to justify the investment of time and energy," one part "do you enjoy doing this," and probably more than one part "is this genuine."

That one is most important and I was motivated to answer that when I realized the other two things.  It came down to, if I have a limited amount of time to work, I need to eat and pay rent, then I'd better make sure of the other two things: am I enjoying this and is it what I would be doing if all things were equal and I had all the time in the world.  I even quit doing a few things that I enjoyed because they were taking up more time than they were worth.  Those decisions were hard and I'm better for them.  There's no doubt that the strides I made in my career were a direct result of reallocating my time.

This all really boils down to, I took those jobs at CNN and truTV and now I don't have nearly as much time as I'd like for live performance.  I have an open offer to book a gig performing live guitar looping and electronic music at a yoga class in Tribeca but I am nowhere near ready.  I've written a few songs, I've got the set up going, it works, but there are too many parts for me to even imagine hauling it 11 stops on the R train to City Hall or even renting a vehicle for that amount of time for a gig that's going to be tips only.  There's no doubt I'm going to enjoy doing it and that the investment is going to be worth it on a personal enrichment level.  I have to try it and see how much fun I have but will something like that be sustainable for me in the long term?  I have musician friends who pick up and tour around the east side or even go to Europe for gigs and I wonder how they do it when I know these gigs don't pay well and they have to sell merch, stay with strangers, and hope people buy their CDs to stay out of the red.

You have to really love it.  That's the obvious answer.  And I love to quote Henry Winkler on this, "Do you need to do this thing that you've found, or does it just sound exciting."  It keeps coming back to that.  I'll be perfectly honest. I was not enjoying spending so much time and energy composing a piece of music for someone or some group to perform it, for it to be heard once (by fewer than 10 people) and there to be absolutely no monetary return on it.

But therein lies the problem.  You obviously have to do this stuff to meager audiences to get started.  And I did enjoy parts of it.  There was enjoyment happening somewhere in the process.  The nights Tania and I stayed up rehearsing, the moments when my electronic equipment worked perfectly, the few moments of applause, being on stage at Galapagos Art Space (a beautiful space if you haven't seen it); all of it moved me to remember why I did all of that.  And I had to not care if anyone enjoyed it, or noticed how groundbreaking or even just f*cking cool it was to mic a piano and sample it live.  And I had to not care that the video didn't come out all that well.  And I had to not care how heavy my equipment was.  And I had to shrug off the time in Harlem when the sound guy didn't even plug my laptop into the house system and I didn't notice until we were in the middle of the piece and nothing was happening.  And I had to forget all the other times that things didn't go as planned.  Because this is what I live for.  Making music and, yes, sometimes performing it or having it performed.  I'm most alive when I'm on stage or when I'm hearing my music being performed live.

And sure there are even other ways to make your money to offset the cost of doing these things.  And no, these things almost never make money.  But that absolutely cannot be the reason you are doing these things or you are seriously deluding yourself.   One thing I can say is that I've never had any delusions (at least not lately) that I could make a lot of money playing music.  I mean, my undergraduate piano professor hammered that point home pretty good (asshole).  All I've ever wanted to do was be able to keep doing it regardless.  Because I almost stopped once.  And I don't ever want to live like that again.


Tuesday, November 18, 2014

At bat...

Where have I been? Where even am I now? I'm sitting in the break room at NY1.  It's cold.  Winter has come early and with a force.  I'm hiding though the temptation to go outside and get real coffee is there.  A lot has changed this year and not just that I'm actually drinking coffee again.  But I got thinking yesterday and today about a specific moment in the evolution of a career.  When the realization comes over you that you might be finally stepping up to the plate.

A few years back now, I had a chance to submit my ideas for a 10 minute snippet of a documentary about nuns in Hong Kong in the early 1900s.  I was excited, overwhelmed even and, though I took the day off work to get the bulk of the work done, I feel like I didn't really grasp the significance of the opportunity.  I did take it seriously, that's for sure.  I knew I had to give it my all but I really just think I wasn't ready.

Fast forward to now.  I'm getting some more opportunities in voice over and I'm feeling paradoxically like I'm both more ready and more frightened to be at bat.  Maybe it's that I'm more frightened by the opportunity that tells me I'm more ready.  But I do hope to get past that.  Being confident that I can do this is winning out over being terrified that I'm not fit just yet.

On Sunday, I went to a screening of "True Love," the film I scored over the summer. The film is an offbeat comedy about two brothers who try to pick up a middle aged prostitute.  It was my first chance to really score a comedy and to actually make my music part of the joke in a lot of the scenes.  It came out really well and there some cues where the director added something after the fact that added to the laughs.  At one point, a slowed tape effect whenever two characters were about to kiss but were interrupted and a few other times to bring back the same trope to comedic effect.  In fact, the first time my underscore, which was based on the same idea as the opening title theme, came in, during the prostitute's dramatic telling of her backstory, the audience burst into laughter.  It's a heartfelt bittersweet piano piece with a string trio behind it, almost taking itself seriously but with a wink, to the extent that at the moment it comes in, it's a cue that the film knows that it's absurd.  It was such a treat to hear people reacting to my music.  Normally, in the film's I've scored, my music has a much subtler effect.

So, going forward this week with that triumph, I get an opportunity to read a documentary script at CNN, just so the producers can hear my voice (apparently it got back to them that I do voice overs).  At first I'm terrified, mostly of messing up and nothing coming of it but then, I'm terrified of something actually coming from it.  And then I'm out there and laid bare, standing in front of a packed auditorium in my underwear and free to be judged on my talents or lack thereof.  But then I go back in that booth and do a second take because I know enough to not be satisfied with my first take and because I'm confident that I can totally f*#$ing do this.

And no, nothing has come of it yet.  I was merely using that example to illustrate a point.

Hopefully soon, though, I'll be able to show you all clips from "True Love" with my music.  Stay tuned guys.  And stay warm.