I learned something today. I can overestimate the scope of a task. But I can also bypass my own thinking. At the start of this week, I had a semi impromptu guest and, rather than worry that I wasn't going to have enough time to do what I said I would do on this project, I just hung out with my friend who I hadn't seen in over a year and got very little sleep. A few days later, when she left, I started to panic that I was behind schedule and assumed I wouldn't get done half of what I said I would in the time I had left.
To clarify, I told the filmmaker I'd be able to get him some samples by the end of the week of a beat that he wanted for one scene and a piano theme that we discussed the tone of during our spotting session on Sunday afternoon. Having shunned my work for the first three days of this week (somewhat shunned...I did a good bit of work on the beat while I was at work a few nights in a row and did come up with something that I like), I started to panic a little. I knew I'd need the piano to work on the theme and wouldn't be able to actually sit down and play it without waking up my cousin until this afternoon. I even tried to use my keyboard and listen in headphones the other night but, as I mentioned, it's a little messed up right now. I said to myself, "well, I guess I'll just tell him I won't be done by the end of the week and push it back a few days." After all I'd have the weekend to catch up.
I was pleasantly surprised, though, to realize that I could come up with something of a theme for this film in the limited amount of time I had just today. And I was able to stretch my ideas to cover some of the underscore in one of the first scenes while working on it more tonight. So, boom. I just surprised myself.
And you know how? I just got started instead of letting myself get overwhelmed with the weight of what I still had left to do. I just sat down at the piano and started playing. And god, it felt good.
Now, I can relax a little. Maybe have a glass of wine when I get home and put my feet up. The rest of the weekend I'll spend mixing the beat that I wrote for the other scene. But that can wait until I'm at home and have my monitors and headphones at my disposal.
Earlier tonight, in my down time, I started to look at flights to Nicaragua for next year since I decided on my dates. Even found one for $378 round trip (although it leaves from Newark International and includes an overnight stay, each way, in Miami). I figured out that it would still be cheaper, especially if I took the path to Newark Penn Station and the shuttle to the airport from there in lieu of taking a cab or a car service. The hotels in Miami would add to the cost though and probably make that itinerary ultimately no better than the next option I saw which also left from Newark but returned to JFK and had no overnight layover. That one was $550. I've been keeping all this in a Google doc along with my planned itinerary. Apoyo Crater Lake, then the island of Ometepe and finally Costa Dulce for one last night.
So that's what I do. I think waaaaay ahead. I've always been that way. Even as a kid. When I knew we were going to the beach, even though it was months away, I would always be asking my parents about it. "What floor are we staying on? What are we going to do when we're there?" Etc. Etc. I probably annoyed them a little. But I was always eager and still am. Besides, there are benefits to being so into planning things. First it helps build excitement and also, see cheap plane tickets above. I'm also tracking them using this site: www.yapta.com. Get into it if you haven't. It will alert you when the price of your tickets drops so you can buy them at the cheapest possible price. Hurray for penny pinching as well.
That said, I need to get out of here. Wine awaits. Weekend awaits. Music and fun awaits. Also work but we'll get to that.
Friday, May 23, 2014
Thursday, May 22, 2014
The rules of troubleshooting...
Just a quick one before I head to bed. Yeah, I did it. I opted to try and work late at night instead of working on changing my bed time routine. The crappy thing is that I might have been productive if I hadn't needed to troubleshoot some problems first.
I was about to sit down and tinker with some piano ideas using my MIDI controller through Logic and one of my piano samplers but the stupid M Audio Axiom keyboard that I use has this problem where, all of a sudden, when you turn it on, two notes (usually an augmented fourth apart, i.e. C and F#) just don't work. So, before, I had found that all you had to do was just turn the thing off hold down the offending keys and then turn it back on and hold them down for 30 seconds. Okay, so a lot of trial and error and reading forums led to that and I'm still not even sure if what I did was what worked to fix it or if it fixed itself or if some random hit of the keys jostled the electronics and put something back in place. It's ineffable. Because this time around it's A and D# that aren't working and my fix that I was so proud of is not working either.
I needed a win tonight so, I shifted gears (all while still sipping my glass of wine) and started to work on a hunch about what was wrong with my looping software Mobius. This is going to become one of my favorite rules of troubleshooting: "Ask yourself what has changed since the problem started."
Duh. I got a new audio interface about a month or so ago and hadn't yet tried it out with my guitar setup and, over the past few days, I was tinkering a little and noticed a problem with Mobius. Usually the screen will animate, so you know what state it's in, whether recording, overdubbing, playing back etc. But this time around when I'd tap the buttons on my pedal, it would move and freeze and only when you interacted with the program again, whether clicking on the screen somewhere or tapping another button, would it actually update.
So this is a problem when you're performing because you want to know what's going on and what state it's in, and whether the pedal tap you just executed actually did anything.
But, when I had that eureka moment about the change in my audio interface, I decided to try the old audio interface out. Sure enough, it worked fine. Well, sort of. It worked fine as a standalone but I usually use it in MainStage, Apple's live performance software that allows me to add all kinds of effects and have multiple channels that I can mix live. In MainStage it was having the same problem. So I had to tinker more and I think I've found a workaround but I have to test it more. I basically have to go through a series of weird steps to get it to work correctly, which is frustrating enough but then add in that normally, I have to turn things on in a certain order and sometimes have to restart the computer so that one piece of software will recognize all the bits of hardware I have plugged in.
So, anyway, I feel somewhat accomplished tonight but it's all still underscored by the fact that my jobs are still coming so few and far between that when I go to dive into my work and dust off certain programs and pieces of hardware, I realize that I almost always have to fix some problem before I can even get started. That is pretty frustrating. All I wanted to do tonight was play some keyboard and riff a little. Now I have to wait until Friday morning/afternoon when I can bang on my piano and think something up.
Happily, said piano was most recently banged on by the inimitable Crystal Bright just this morning before she left, showing me a new piece of hers. Perhaps she will have imbued it with some of her creative energy.
Before I forget though, here's a little riff that I was toying with the other day and put up on SoundCloud. Enjoy!
I was about to sit down and tinker with some piano ideas using my MIDI controller through Logic and one of my piano samplers but the stupid M Audio Axiom keyboard that I use has this problem where, all of a sudden, when you turn it on, two notes (usually an augmented fourth apart, i.e. C and F#) just don't work. So, before, I had found that all you had to do was just turn the thing off hold down the offending keys and then turn it back on and hold them down for 30 seconds. Okay, so a lot of trial and error and reading forums led to that and I'm still not even sure if what I did was what worked to fix it or if it fixed itself or if some random hit of the keys jostled the electronics and put something back in place. It's ineffable. Because this time around it's A and D# that aren't working and my fix that I was so proud of is not working either.
I needed a win tonight so, I shifted gears (all while still sipping my glass of wine) and started to work on a hunch about what was wrong with my looping software Mobius. This is going to become one of my favorite rules of troubleshooting: "Ask yourself what has changed since the problem started."
Duh. I got a new audio interface about a month or so ago and hadn't yet tried it out with my guitar setup and, over the past few days, I was tinkering a little and noticed a problem with Mobius. Usually the screen will animate, so you know what state it's in, whether recording, overdubbing, playing back etc. But this time around when I'd tap the buttons on my pedal, it would move and freeze and only when you interacted with the program again, whether clicking on the screen somewhere or tapping another button, would it actually update.
So this is a problem when you're performing because you want to know what's going on and what state it's in, and whether the pedal tap you just executed actually did anything.
But, when I had that eureka moment about the change in my audio interface, I decided to try the old audio interface out. Sure enough, it worked fine. Well, sort of. It worked fine as a standalone but I usually use it in MainStage, Apple's live performance software that allows me to add all kinds of effects and have multiple channels that I can mix live. In MainStage it was having the same problem. So I had to tinker more and I think I've found a workaround but I have to test it more. I basically have to go through a series of weird steps to get it to work correctly, which is frustrating enough but then add in that normally, I have to turn things on in a certain order and sometimes have to restart the computer so that one piece of software will recognize all the bits of hardware I have plugged in.
So, anyway, I feel somewhat accomplished tonight but it's all still underscored by the fact that my jobs are still coming so few and far between that when I go to dive into my work and dust off certain programs and pieces of hardware, I realize that I almost always have to fix some problem before I can even get started. That is pretty frustrating. All I wanted to do tonight was play some keyboard and riff a little. Now I have to wait until Friday morning/afternoon when I can bang on my piano and think something up.
Happily, said piano was most recently banged on by the inimitable Crystal Bright just this morning before she left, showing me a new piece of hers. Perhaps she will have imbued it with some of her creative energy.
Before I forget though, here's a little riff that I was toying with the other day and put up on SoundCloud. Enjoy!
Monday, May 19, 2014
Musical Saturation...
My weekend was filled with incredible music as per usual. Positively saturated, in fact. And some of my favorites as well. This is how I like things to be. This is a blog in which I plug those amazing musicians, some of them good friends of mine.
Saturday afternoon began like any other Saturday. I was leaving yoga when I noticed a text from Lacy, saying that her neighborhood bar in Ditmas Park was having a 1 year anniversary party with BBQ and music all afternoon long and that I should come. I returned the text and, on a whim since the Q train was the first to arrive as I stepped onto the platform at Canal Street, I decided to just go straight there, yoga mat bag and all (Lacy didn't see my text and called me a ninja because I just appeared there in less than an hour since she had texted me). The music was varied and of good quality, some Rockabilly, some Bluegrass-y stuff and it was good catching up with Lacy. The BBQ was damned good, too and the ciders cheap. So commenced the day drinking. I even ran into a friend of mine whom I hadn't seen in ages. Got to meet some new friends too.
But I was headed out around 6:30 or so because I needed to touch down at home before heading to The Way Station to catch Dahlia's band DecaDence. These guys rock my face off, consistently. I've come to see them about five times now and it just gets better. Their songs are reggae influenced with some French lyrics and accordion and ukulele and lots of dancing. All of them world class musicians and great guys. Too bad, I was feeling a little bummed because I had no one to dance with, as I had arrived solo, and the place was full of couples (even a bride and groom that had just gotten hitched). But seriously though, if you have a chance to check these guys out, take it. They're currently playing every Monday night at District 12 up in Inwood plus a handful of other shows including The Way Station again on June 21st.
I ditched the scene a little early because I had to work at TruTV in the morning on Sunday and also had to meet up with that filmmaker whose film I'll be scoring. After work Sunday afternoon, I met Ben at one of my favorite gluten free restaurants in the city, Hu Kitchen, and we spotted the whole film. Talked about which cues should go where and how the music should be in general. This is always a fun phase, pulling the film apart and discussing characters and their motives and how the scenes are edited, etc. Next I sit down and watch the film a few times and then start riffing musical ideas. The film, "True Love," is a 20 minute short about two brothers, the older of whom is trying to get a hooker for his brother so he can have his first time. It's a quirky comedy disguised as a drama, so there'll be some tongue-in-cheek humor in the music. Really excited to get working on this.
After our meeting I took the train back to the Slope, swung by and picked up a few things at the co-op and went home to cook dinner. I had been texting with my friend Crystal, whose band is in town to play a few shows (that I'll unfortunately miss). She needed a place for just her to stay so she's crashing here for a few days (currently passed out on the air mattress). I was psyched because we actually got to hang out for a change. Usually I just go see the show and then they have to head on to the next town. She and I have been friends since undergraduate days and she's an incredible musician. If you're not doing anything on Tuesday night I strongly suggest you go to Goodbye Blue Monday and check her and her band out. Crystal Bright and The Silver Hands. I'll give you one of my favorite descriptions of her music that I've heard elsewhere, probably in a review: "A Kaleidophrenic Cabaret." She plays, among other things, accordion, keys and musical saw. Go see her dammit!
I met her and the band at Superfine in Dumbo yesterday evening where they were watching a bluegrass band, (cannot remember the name of them now) and stole Crystal away to head into Manhattan because a mutual friend of ours from Greensboro named Caitlin Watkins was playing at Bowery Electric. Caitlin is writing some amazing folk rock and just gets better every time I see her perform. The last time was at a singer-songwriter round at Jalopy in Red Hook and I remember just being pulled inside the songs she was singing. On the edge of my seat, feeling every emotion in the songs. Last night was no different. Her voice does some incredible things and she reminds me a tiny bit of Ingrid Michaelson. Last night she had a banjo player, Bennet Sullivan, with her who was pretty incredible and complimented her songs nicely. Also a Greensboro native. You should also see her and Bennet if you get the chance.
When the set was finished we hung out for a little longer (Bowery Electric has a card minimum of $10 and my wine was $9...I really hate drinking in Manhattan sometimes), and then went over to Barbes where the rest of Crystal's band was hanging out on my recommendation. They also are interested in playing there so I'm going to try and help out with that as much as I can.
Who was playing at Barbes? Who else? Stephane f*cking Wrembel. As usual Stephane and has band tore it up. They had a guest guitarist and violinist playing as well. The violinist even did some vocal improvisation that just blew me away. Great way to end the night. Great way to end the weekend.
So, another weekend full of music under my belt and now I gotta get back to work...in more ways than one. I have a film to score now.
Saturday afternoon began like any other Saturday. I was leaving yoga when I noticed a text from Lacy, saying that her neighborhood bar in Ditmas Park was having a 1 year anniversary party with BBQ and music all afternoon long and that I should come. I returned the text and, on a whim since the Q train was the first to arrive as I stepped onto the platform at Canal Street, I decided to just go straight there, yoga mat bag and all (Lacy didn't see my text and called me a ninja because I just appeared there in less than an hour since she had texted me). The music was varied and of good quality, some Rockabilly, some Bluegrass-y stuff and it was good catching up with Lacy. The BBQ was damned good, too and the ciders cheap. So commenced the day drinking. I even ran into a friend of mine whom I hadn't seen in ages. Got to meet some new friends too.
But I was headed out around 6:30 or so because I needed to touch down at home before heading to The Way Station to catch Dahlia's band DecaDence. These guys rock my face off, consistently. I've come to see them about five times now and it just gets better. Their songs are reggae influenced with some French lyrics and accordion and ukulele and lots of dancing. All of them world class musicians and great guys. Too bad, I was feeling a little bummed because I had no one to dance with, as I had arrived solo, and the place was full of couples (even a bride and groom that had just gotten hitched). But seriously though, if you have a chance to check these guys out, take it. They're currently playing every Monday night at District 12 up in Inwood plus a handful of other shows including The Way Station again on June 21st.
I ditched the scene a little early because I had to work at TruTV in the morning on Sunday and also had to meet up with that filmmaker whose film I'll be scoring. After work Sunday afternoon, I met Ben at one of my favorite gluten free restaurants in the city, Hu Kitchen, and we spotted the whole film. Talked about which cues should go where and how the music should be in general. This is always a fun phase, pulling the film apart and discussing characters and their motives and how the scenes are edited, etc. Next I sit down and watch the film a few times and then start riffing musical ideas. The film, "True Love," is a 20 minute short about two brothers, the older of whom is trying to get a hooker for his brother so he can have his first time. It's a quirky comedy disguised as a drama, so there'll be some tongue-in-cheek humor in the music. Really excited to get working on this.
After our meeting I took the train back to the Slope, swung by and picked up a few things at the co-op and went home to cook dinner. I had been texting with my friend Crystal, whose band is in town to play a few shows (that I'll unfortunately miss). She needed a place for just her to stay so she's crashing here for a few days (currently passed out on the air mattress). I was psyched because we actually got to hang out for a change. Usually I just go see the show and then they have to head on to the next town. She and I have been friends since undergraduate days and she's an incredible musician. If you're not doing anything on Tuesday night I strongly suggest you go to Goodbye Blue Monday and check her and her band out. Crystal Bright and The Silver Hands. I'll give you one of my favorite descriptions of her music that I've heard elsewhere, probably in a review: "A Kaleidophrenic Cabaret." She plays, among other things, accordion, keys and musical saw. Go see her dammit!
I met her and the band at Superfine in Dumbo yesterday evening where they were watching a bluegrass band, (cannot remember the name of them now) and stole Crystal away to head into Manhattan because a mutual friend of ours from Greensboro named Caitlin Watkins was playing at Bowery Electric. Caitlin is writing some amazing folk rock and just gets better every time I see her perform. The last time was at a singer-songwriter round at Jalopy in Red Hook and I remember just being pulled inside the songs she was singing. On the edge of my seat, feeling every emotion in the songs. Last night was no different. Her voice does some incredible things and she reminds me a tiny bit of Ingrid Michaelson. Last night she had a banjo player, Bennet Sullivan, with her who was pretty incredible and complimented her songs nicely. Also a Greensboro native. You should also see her and Bennet if you get the chance.
When the set was finished we hung out for a little longer (Bowery Electric has a card minimum of $10 and my wine was $9...I really hate drinking in Manhattan sometimes), and then went over to Barbes where the rest of Crystal's band was hanging out on my recommendation. They also are interested in playing there so I'm going to try and help out with that as much as I can.
Who was playing at Barbes? Who else? Stephane f*cking Wrembel. As usual Stephane and has band tore it up. They had a guest guitarist and violinist playing as well. The violinist even did some vocal improvisation that just blew me away. Great way to end the night. Great way to end the weekend.
So, another weekend full of music under my belt and now I gotta get back to work...in more ways than one. I have a film to score now.
Saturday, May 17, 2014
Rough sleep...
I'm writing in the morning for a change. I've been actually debating changing my evening routine a little because, with or without the writing and snacking and drinking wine and web surfing and otherwise looking at a screen and reading, I have not really done all that much to unwind and get a decent amount of sleep lately. Most of it is the things I have on my mind lately that have been forcing me to stay up pondering until I reach a point where I just tell myself to go the hell to sleep, usually pushing 2am by that time.
Luckily, I have things on the docket. Yes, things. Things to dive into. Things to distract me. Things that will pay money. So not only do I have something to occupy my dizzyingly frantic mind, I also have incentive to try harder to get a decent amount of sleep. On top of the 7 day a week cluster f*ck I'm about to dive into with day time work, I will now need to score a 20 minute short film by the end of June. I'll forgo cliches about the degree to which it precipitates when it finally does precipitate.
This is the short that I wrote thematic material for a few months back in the fall of 2013. They are picture locked and will probably want to go in a slightly different direction than the first material I wrote them. That was written merely to have something to play for the actors before they did the scenes to give them a sense of where the director wanted to go with the tone of the film.
The music, I'm told, will now encompass some poppy electronic stuff in addition to some piano pieces. Probably about 5 - 7 minutes worth of music, all told. So it should be a decent amount of work. But here's the thing. I can only write during the day when I can actually make noise around my apartment so then, getting enough sleep and getting up at a decent hour will be crucial and will make sense. The other day though, while working on "The Life," I spent the hours before sleep when I usually unwind, working on the mixes in headphones, and I found myself just as productive. So maybe I'll try both. Working at night and working in the morning.
For now, though, I think I'll be good during the week, get home, brush my teeth, maybe play guitar for a little bit and then do some breath work/meditation and try to just drift off. See if I can get past these past few weeks of rough sleep and recharge before I dive into the insanity to come. It all starts May 26th. Really only about a week away. And I haven't even seen the film yet. Wish me luck!
Luckily, I have things on the docket. Yes, things. Things to dive into. Things to distract me. Things that will pay money. So not only do I have something to occupy my dizzyingly frantic mind, I also have incentive to try harder to get a decent amount of sleep. On top of the 7 day a week cluster f*ck I'm about to dive into with day time work, I will now need to score a 20 minute short film by the end of June. I'll forgo cliches about the degree to which it precipitates when it finally does precipitate.
This is the short that I wrote thematic material for a few months back in the fall of 2013. They are picture locked and will probably want to go in a slightly different direction than the first material I wrote them. That was written merely to have something to play for the actors before they did the scenes to give them a sense of where the director wanted to go with the tone of the film.
The music, I'm told, will now encompass some poppy electronic stuff in addition to some piano pieces. Probably about 5 - 7 minutes worth of music, all told. So it should be a decent amount of work. But here's the thing. I can only write during the day when I can actually make noise around my apartment so then, getting enough sleep and getting up at a decent hour will be crucial and will make sense. The other day though, while working on "The Life," I spent the hours before sleep when I usually unwind, working on the mixes in headphones, and I found myself just as productive. So maybe I'll try both. Working at night and working in the morning.
For now, though, I think I'll be good during the week, get home, brush my teeth, maybe play guitar for a little bit and then do some breath work/meditation and try to just drift off. See if I can get past these past few weeks of rough sleep and recharge before I dive into the insanity to come. It all starts May 26th. Really only about a week away. And I haven't even seen the film yet. Wish me luck!
Friday, April 25, 2014
Time management again...
I'm gonna go ahead and say it. I really much prefer writing at this time of night/morning. I have a clear head, I'm having a cider, listening to a friend's music, and unwinding. I don't have to spring out of bed so early tomorrow morning either. I was just reading a blog from around this time last year where I was going on about "how am I going to survive working 64 hours a week!" Happy to report to my one-year-ago self that I made it through and it wasn't all that bad.
This is actually good knowledge for me to unearth, polish off, and reexamine in a different context. See, in a few weeks, I'll be starting up that racket again, only this time, it's basically 8 days a week versus the 4 days worth of doubles followed by a regular Friday and a weekend off. I'll be working Saturday and Sunday evenings 3pm-11pm at CNN for 2 months, while continuing to pull 3:30pm-11:30pm shifts at NY1 Monday through Friday. When I was asked about covering someone's maternity leave there, I came up with the plan to disperse my remaining personal days at NY1 during the weekdays throughout the months of June and July so that I could ease the load a little bit.
In the end, I wound up just taking two big chunks of time off in July, so June might be rough. Just sayin'. But I'm ready for it. I did something this crazy last year and in fact, continued to do it after the CNN work dried up, albeit a little less, working only twice to four times a week at TruTV (the third and fourth shifts being short weekend morning shifts when no one else was there). In fact, barely a week has gone by since last April that I haven't worked at least 50 hours a week. And I've still worked on music and furthered my voice over career and kept up with yoga and still had time to get out and see some great music and travel.
So, yeah, it's remarkable what a little time management can help you accomplish. I've actually thought about writing a book on the subject of time management and how I pull this crazy stuff off. I could boil it down to a handful of important maxims. The first and most important being to auto pilot as much as you can (this is not entirely my wording but the idea did come to me on its own...I already know exactly what I need at the grocery store most weeks and for the most part, for example, so that goes pretty quick). The second is to know how much time it takes you to do certain things (the most basic being showering, cooking, eating and commuting...but then other things more specific to your situation come into play, i.e. for me, how much time do I really need to record a script for a voice over audition and do it well?). Additionally, you have to identify the gaps in your day during which you can squeeze certain tasks in, what kinds of things can you do simultaneously (for me, an example is laundry and cooking...getting good at that one. I have to run down the block to do coin laundry so I start my brown rice cooking before I walk down the hill with my laundry bag, etc.). Also, and this is probably the most important, how can you fit in exercise and relaxation...because let's face it. I'd probably go nuts trying to do all this if I didn't stop and center myself once a day at least.
So, sure, I could probably flesh that all out into a book if I threw in some anecdotes for good measure. But then, I gotta find the time to start writing down all these ideas. Totally doable. But now, I gotta squeeze in that 7 hours of sleep because that's probably the most important use of my time these days.
This is actually good knowledge for me to unearth, polish off, and reexamine in a different context. See, in a few weeks, I'll be starting up that racket again, only this time, it's basically 8 days a week versus the 4 days worth of doubles followed by a regular Friday and a weekend off. I'll be working Saturday and Sunday evenings 3pm-11pm at CNN for 2 months, while continuing to pull 3:30pm-11:30pm shifts at NY1 Monday through Friday. When I was asked about covering someone's maternity leave there, I came up with the plan to disperse my remaining personal days at NY1 during the weekdays throughout the months of June and July so that I could ease the load a little bit.
In the end, I wound up just taking two big chunks of time off in July, so June might be rough. Just sayin'. But I'm ready for it. I did something this crazy last year and in fact, continued to do it after the CNN work dried up, albeit a little less, working only twice to four times a week at TruTV (the third and fourth shifts being short weekend morning shifts when no one else was there). In fact, barely a week has gone by since last April that I haven't worked at least 50 hours a week. And I've still worked on music and furthered my voice over career and kept up with yoga and still had time to get out and see some great music and travel.
So, yeah, it's remarkable what a little time management can help you accomplish. I've actually thought about writing a book on the subject of time management and how I pull this crazy stuff off. I could boil it down to a handful of important maxims. The first and most important being to auto pilot as much as you can (this is not entirely my wording but the idea did come to me on its own...I already know exactly what I need at the grocery store most weeks and for the most part, for example, so that goes pretty quick). The second is to know how much time it takes you to do certain things (the most basic being showering, cooking, eating and commuting...but then other things more specific to your situation come into play, i.e. for me, how much time do I really need to record a script for a voice over audition and do it well?). Additionally, you have to identify the gaps in your day during which you can squeeze certain tasks in, what kinds of things can you do simultaneously (for me, an example is laundry and cooking...getting good at that one. I have to run down the block to do coin laundry so I start my brown rice cooking before I walk down the hill with my laundry bag, etc.). Also, and this is probably the most important, how can you fit in exercise and relaxation...because let's face it. I'd probably go nuts trying to do all this if I didn't stop and center myself once a day at least.
So, sure, I could probably flesh that all out into a book if I threw in some anecdotes for good measure. But then, I gotta find the time to start writing down all these ideas. Totally doable. But now, I gotta squeeze in that 7 hours of sleep because that's probably the most important use of my time these days.
Monday, April 21, 2014
33...
33. And I almost forgot to put on Thirty-three by the Smashing Pumpkins. Something I always said I would do when I turned 33. So with a half hour left in my birthday, I thought I'd write a bit. There's not a ton to report. The weekend was fun and filled with friends and drinking. My party Sunday ended up being small but still fun. And today, I had a free yoga class at my old studio and got to catch up with a teacher I hadn't taken class from in a while.
I also had a doctor's appointment with an Ear, Nose and Throat doc to see what was happening with my right ear. What is happening with my right ear? Okay, so a few weeks ago, I had a cold so bad I wound up with an ear infection in my right ear and, while the pain subsided the following day, sometime the next week when I was back in Brooklyn, I noticed something odd. While playing my guitar, single notes were resonating as two notes out of tune with each other. I thought something was wrong with my guitar and wrote it off, saying I'd check into it later. The next day though, I heard the same phenomenon with music that was playing in my kitchen. I was hearing an echo off one of the walls, reaching my ear a millisecond later and coming in out of tune with the left ear. I was standing there plugging and un plugging my left ear and listening to the music jump up in pitch every time. It was so weird.
I researched it and found that it's an actual thing you can get if you either have damage to the sensory nerves or if you have fluid or ear wax buildup in the inner ear. It's called, wait for it, "Diplacusis." The wiki article doesn't give you much but there's more info out there. Anyway, I just assumed it would resolve itself, seeing as how it was probably related to the ear infection and not any damage, but it was taking a while, so I scheduled the doctor's appointment just to be safe. I would have gotten there on Friday last week but I showed up without an insurance card on me and had to reschedule for today...by which point, it had fully cleared up. I've been recommended to someone for a full hearing test though and I'm going to go because I need to be sure it's gone. I have tested it tonight and it seems fine and at the doctor's office, she held a tuning fork up to both ears alternately and I heard the same pitch in both ears. So, it seems it's cleared up. I had to test it here as well because I was finding, when it was at its worst, that the softer the sound the more evident the difference in pitch was. You should've seen me plugging one ear and listening to my guitar as I plucked the open strings first softer and then gradually louder and louder. The pitch would resolve back to where it was supposed to be as it got louder. It was the weirdest thing ever.
And of course, only a musician would notice it. Or anyone with any musical sensibility. So, naturally, I was disturbed that part of my instrument (as a composer) was malfunctioning. And in the most ridiculous possible way...like why a half step difference? That's pretty dissonant. Another interval, like maybe a fourth or something would've been fun maybe but weird dissonance was not cool. I admit I panicked for a hot second.
But anyhow, that's all cleared up now and I'm feeling loads better minus the lingering dry cough that you can get with a head and chest cold. And the weather here is ever improving so there's that.
And I'm gearing up for a great summer, with loads of fun plans coming up including things like a trip to NC to see my nephew on his birthday in July, a trip upstate at some point, and a Tori Amos concert, one of my favorite artists of all time, whom I've never seen perform live. I think I'm going to be working a lot during the summer months as well, covering someone's maternity leave at CNN. So I'm hoping I won't go insane. And things are happening with both voice over and music. I'll be putting together that promo demo as soon as I get the audio from the last two jobs, and I'm still finishing the score for "The Life" which is getting ever closer to completion. I may even have another job soon but, as always, I don't want to get too far ahead of myself.
For now, I need to sleep off this weekend and get in the mindset for productivity again. Good night!
I also had a doctor's appointment with an Ear, Nose and Throat doc to see what was happening with my right ear. What is happening with my right ear? Okay, so a few weeks ago, I had a cold so bad I wound up with an ear infection in my right ear and, while the pain subsided the following day, sometime the next week when I was back in Brooklyn, I noticed something odd. While playing my guitar, single notes were resonating as two notes out of tune with each other. I thought something was wrong with my guitar and wrote it off, saying I'd check into it later. The next day though, I heard the same phenomenon with music that was playing in my kitchen. I was hearing an echo off one of the walls, reaching my ear a millisecond later and coming in out of tune with the left ear. I was standing there plugging and un plugging my left ear and listening to the music jump up in pitch every time. It was so weird.
I researched it and found that it's an actual thing you can get if you either have damage to the sensory nerves or if you have fluid or ear wax buildup in the inner ear. It's called, wait for it, "Diplacusis." The wiki article doesn't give you much but there's more info out there. Anyway, I just assumed it would resolve itself, seeing as how it was probably related to the ear infection and not any damage, but it was taking a while, so I scheduled the doctor's appointment just to be safe. I would have gotten there on Friday last week but I showed up without an insurance card on me and had to reschedule for today...by which point, it had fully cleared up. I've been recommended to someone for a full hearing test though and I'm going to go because I need to be sure it's gone. I have tested it tonight and it seems fine and at the doctor's office, she held a tuning fork up to both ears alternately and I heard the same pitch in both ears. So, it seems it's cleared up. I had to test it here as well because I was finding, when it was at its worst, that the softer the sound the more evident the difference in pitch was. You should've seen me plugging one ear and listening to my guitar as I plucked the open strings first softer and then gradually louder and louder. The pitch would resolve back to where it was supposed to be as it got louder. It was the weirdest thing ever.
And of course, only a musician would notice it. Or anyone with any musical sensibility. So, naturally, I was disturbed that part of my instrument (as a composer) was malfunctioning. And in the most ridiculous possible way...like why a half step difference? That's pretty dissonant. Another interval, like maybe a fourth or something would've been fun maybe but weird dissonance was not cool. I admit I panicked for a hot second.
But anyhow, that's all cleared up now and I'm feeling loads better minus the lingering dry cough that you can get with a head and chest cold. And the weather here is ever improving so there's that.
And I'm gearing up for a great summer, with loads of fun plans coming up including things like a trip to NC to see my nephew on his birthday in July, a trip upstate at some point, and a Tori Amos concert, one of my favorite artists of all time, whom I've never seen perform live. I think I'm going to be working a lot during the summer months as well, covering someone's maternity leave at CNN. So I'm hoping I won't go insane. And things are happening with both voice over and music. I'll be putting together that promo demo as soon as I get the audio from the last two jobs, and I'm still finishing the score for "The Life" which is getting ever closer to completion. I may even have another job soon but, as always, I don't want to get too far ahead of myself.
For now, I need to sleep off this weekend and get in the mindset for productivity again. Good night!
Monday, April 14, 2014
2003 Anjou Villages Brissac
I opened a 10 year old bottle of wine this weekend that I've been saving for almost 7 years. What was I saving it for? I have no idea. When I bought it I was newly single and in France, in the town where I studied in 2002, hanging with my parents and my aunt. I smuggled it back to the States and put it in my wine rack. When I think back, any number of occasions have passed on which I could have imbibed this bottle, an Anjou Villages Brissac from 2003...Brissac being a chateau that I visited during my study abroad trip all those years ago. The bottle itself was one of which I had bought a 1996 vintage back in 2002 on that trip and drank relatively soon after returning to the States. So, sure, it's got a little bit of sentimental value and that, but ultimately, I kept pushing back when I was supposedly going to open it. In fact, I actually never really assigned it any special occasion on which I would potentially open it.
I felt a little like Paul Giamatti's character in "Sideways" with his 1961 Cheval Blanc that he saves and saves, saying it was supposed to be for his 10th wedding anniversary but ultimately ends up drinking it out of a paper cup in a White Castle at the end of the movie. He supposedly does this in response to a line by Virginia Madsen's character: "The day you open a '61 Cheval Blanc, that's the occasion." So I kept thinking about that. My weirdly oenophile boss at NY1 would always point out that a 10 year old wine that's been moved as many times as this one has is as likely as not to be peaking and/or past its prime, perhaps even spoiled. So, the pressure has been on for a while to hurry up and just open the damned thing, occasion or not.
I could have picked any milestone along the way in my career(s). First paid music gig (happened years ago), moving to NY (also happened years ago, with not nearly as much fanfare as you'd think), first paid voice over gig (been there, done that), first time getting two VO gigs in one month (also, knocked that one out last year), getting a voice over agent (who knows?), getting a music agent (also who knows?), the time I got a contract with a licensing agency (also barely any fanfare). Hell, I could have even waited just slightly longer to see what happens with "The Life" and if it gets picked up and if they use my music and/or hire me as the composer.
But I opted to open it with a friend, during the day on a work day to celebrate our shared birth month. I think the point was to share it with someone versus just celebrating by myself. That's the sad part about the end of Sideways. Even though he finally just drinks his Cheval Blanc, he's alone whilst doing it and in the saddest of places: a fast food joint.
But let me tell you, I do have something to celebrate. It's been a damned good month so far. That voice over gig I had on April 1st? I knocked it out of the park. There were three different directions I was given to go in and on the third and final one ("tight with tension," a direction they weren't sure how else to describe), I nailed it, eliciting wide eyed excitement from the director and a woman from the publishing company who sat in on the session.
That afternoon, I was rushing over to NY1 after the job to try and knock out another audition for this same client, borrowing a mic from the head editor and using the tracking booth to do it. This promo for a sequel to "The Bone Collector," I managed to really hit the mark, coming off the "Bourne Ascendancy" gig early that day with a lot of energy and a good sense of what works for these kinds of jobs. So the next morning, I had an email from the director saying they liked my read and wanted to book me for the job and get me in the studio the very next day. So, that's two VO gigs in one week, better than I've done to date. And the money? Let's just say I made enough for my rent and then some in the space of two hours of hard work. I'd say that's reason enough to open any bottle of wine at any time of the day.
And sure there'll be other occasions, other milestones. But I'll go out and buy more bottles of good wine to celebrate them when I get there. For now, you guessed it, I gotta go to sleep.
I felt a little like Paul Giamatti's character in "Sideways" with his 1961 Cheval Blanc that he saves and saves, saying it was supposed to be for his 10th wedding anniversary but ultimately ends up drinking it out of a paper cup in a White Castle at the end of the movie. He supposedly does this in response to a line by Virginia Madsen's character: "The day you open a '61 Cheval Blanc, that's the occasion." So I kept thinking about that. My weirdly oenophile boss at NY1 would always point out that a 10 year old wine that's been moved as many times as this one has is as likely as not to be peaking and/or past its prime, perhaps even spoiled. So, the pressure has been on for a while to hurry up and just open the damned thing, occasion or not.
I could have picked any milestone along the way in my career(s). First paid music gig (happened years ago), moving to NY (also happened years ago, with not nearly as much fanfare as you'd think), first paid voice over gig (been there, done that), first time getting two VO gigs in one month (also, knocked that one out last year), getting a voice over agent (who knows?), getting a music agent (also who knows?), the time I got a contract with a licensing agency (also barely any fanfare). Hell, I could have even waited just slightly longer to see what happens with "The Life" and if it gets picked up and if they use my music and/or hire me as the composer.
But I opted to open it with a friend, during the day on a work day to celebrate our shared birth month. I think the point was to share it with someone versus just celebrating by myself. That's the sad part about the end of Sideways. Even though he finally just drinks his Cheval Blanc, he's alone whilst doing it and in the saddest of places: a fast food joint.
But let me tell you, I do have something to celebrate. It's been a damned good month so far. That voice over gig I had on April 1st? I knocked it out of the park. There were three different directions I was given to go in and on the third and final one ("tight with tension," a direction they weren't sure how else to describe), I nailed it, eliciting wide eyed excitement from the director and a woman from the publishing company who sat in on the session.
That afternoon, I was rushing over to NY1 after the job to try and knock out another audition for this same client, borrowing a mic from the head editor and using the tracking booth to do it. This promo for a sequel to "The Bone Collector," I managed to really hit the mark, coming off the "Bourne Ascendancy" gig early that day with a lot of energy and a good sense of what works for these kinds of jobs. So the next morning, I had an email from the director saying they liked my read and wanted to book me for the job and get me in the studio the very next day. So, that's two VO gigs in one week, better than I've done to date. And the money? Let's just say I made enough for my rent and then some in the space of two hours of hard work. I'd say that's reason enough to open any bottle of wine at any time of the day.
And sure there'll be other occasions, other milestones. But I'll go out and buy more bottles of good wine to celebrate them when I get there. For now, you guessed it, I gotta go to sleep.
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